1 EXT. CARIBBEAN SEA _ DAY

1 EXT. CARIBBEAN SEA _ DAY
1 EXT. CARIBBEAN SEA _ DAY

A
gray, impenetrable wall of fog. From somewhere comes the faint sound of a little girl's voice, singing, slow tempo.

YOUNG ELIZABETH (O.S.)
Y
o, ho, yo, ho, a pirate's life for me. Yo, ho, yo, ho, it's a pirate's life for me ...

A massive ship emerges from the gray, the masthead looming: the H.M.S. Dauntless.

# Gepost op woensdag 07 december 2005, 12u19

2 EXT. DAUNTLESS _FORECASTLE_DAY

2 EXT. DAUNTLESS _FORECASTLE_DAY
2 EXT. DAUNTLESS _FORECASTLE_DAY

Elizabeth
Swann stands at the bow rail, gazing at the sea.

ELIZABETH
... drink up me hearties,
yo, ho ...

She is startled when a hand c
lutches her shoulder. The hand belongs to Joshamee Gibbs, born old, skin a dark leather.

GIBBS
(sotto)
Quiet, missy! Cursed pi
rates sail these waters. You want to call 'em down on us?

Elizabeth stares wide?eyed
at him.

NORRINGTON
Mr. Gibbs.

Norring
ton, a dashing young man, Royal Navy to the core, glares at Gibbs. Beside him is Governor Wheat herby Swann, a man of obvious high station _and Elizabeth's father.

NORRINGTON (CONT'D)
That will do.

GIBBS
She wa
s singing about pirates. Bad luck to sing about pirates, with us mired in this unnatural fog ?? mark my words.

NORRINGTON
Cons
ider them marked. On your way.

GIBBS
'Aye
, Lieutenant.
(as he moves off)
Bad luck t
o have a woman on board, too. Even a mini'ture one.
He returns to his deck?swabbing d
uties, surreptitiously takes a quick swig from a flask.

ELIZABETH
I think it would
be rather exciting to meet a pirate.

NORRINGTON
Think again, Miss Swann. Vile and di
ssolute creatures, the lot of them. I intend to see to it that any man who sails under a pirate flag, or wears a pirate brand, gets what he deserves: a short drop and a sudden stop.

Elizabeth frowns; Gibbs helpful
ly mimes: a man being hung.

SWANN
Lieute
nant Norrington. I appreciate your fervor, but I am concerned about the effect this subject will have on my daughter.

NORRINGTON
My apologies, Governor.

ELIZABETH
Actu
ally, I find it all fascinating.

SWANN
An
d that's what concerns me. Elizabeth, we will be landing in Port Royal soon, and beginning our new lives. Wouldn't it be wonderful if we comport ourselves as befits our class and station?

ELIZABETH
Yes, father.

Chastised, she turns away, to look out over the bow rail.

ELIZABETH (CONT'D)
(to her
self)
I still think it would be exciting t
o meet a pirate ...

From out of the fog f
loats a parasol. Surprised, delighted at this oddity, Elizabeth watches as it bounces off the hull _

_ and then she sees the bo
dy of a young boy emerge from the fog. It is Will Turner, floating on his back, unconscious.

ELIZABETH (CONT'D)

Look! A boy! The
re's a boy in the water!

Norrington and S
wann spot him _

NORRINGTON
Man overboard
!

ELIZABETH
Boy overboard!

NORRINGTON
Fetch a hook ?? haul him out of there!

Sa
ilors scramble to haul the boy aboard, lay him on the deck.

NORRINGTON (CONT'D)
He's
still breathing.

SWANN
Where did he come
from?

GIBBS
Mary mother of God ...

His
gasp turns everyone's attention from the boy to _

The sea ... no longer empty. Wrec
kage from a ship litters the water ... along with the bodies of its crew. What remains of the hull Burns; a ragged British flag hangs from the stern.

The Dauntless slips
past. The scene calls for hushed voices.

SWANN
What happened here?

NORRINGTON
An
explosion amidships _ most likely the powder magazine. Merchant vessels run heavily armed.

GIBBS
Lot of good it did them ...

(off Swann's look)
Everyone's thinking it
! I'm just saying it! Pirates!

SWANN
There
is no proof of that. It could have been an accident. Lieutenant, these men were British, and therefore under my protection. If there is even the slightest chance one of those poor devils is still alive, we cannot abandon them!

NORRINGTON
Of course not.
(t
o a sailor)
Rouse the Captain, immediately
.
(to the crew)
Come about and strike the
sails! Unlash the boats! Gunnery crew ... jackets off the cannons!
(to Swann)
Hope fo
r the best. Prepare for the worst.
(to two
sailors)
Move the boy aft. We need the dec
k clear.

They lift the boy. Swann pulls E
lizabeth away from the scene.

SWANN

Eliz
abeth, I want you to accompany the boy. He's in your charge now. You'll watch over him?

Elizabeth nods gravely. Swann hurries a
way. The sailors lay the boy gently behind the wheel. Elizabeth kneels beside him.

Hi
s good looks are not lost on her. She gently brushes the blond hair from his eyes _ suddenly, he grabs her wrist, awake now. Their eyes lock. She takes his hand in hers.

ELIZABETH
My name is Elizabeth Swann.

YOUNG WILL
Will Turner.

ELIZABETH
I'm watchi
ng over you, Will.

He clutches her hands,
then slips back into unconsciousness.

Hi
s movement has opened the collar of his shirt; he wears a chain around his neck. Elizabeth tugs it free, revealing __

A gold me
dallion. One side is blank. She turns it _ an Aztec skull gazes at her. To her eyes, it can mean one thing only _

ELIZABETH (CONT'D)
You're a pirate.

She glances at th
e crew. Sees Norrington, giving orders, moving toward her. She comes to a decision. Takes the medallion from around his neck. Hides it under her coat.

NORRINGTON
Did he sp
eak?

ELIZABETH
His name is Will Turner _
that's all I found out.

Norrington nods,
and moves past. Elizabeth steals away to the stern of the ship. Examines her prize _ the gold medallion.

A wisp of wind, and sh
e looks up _ moving through the fog, silent as a ghost, is a large sailing ship, a galleon _
It has black sails

Elizabeth stare
s, too frightened to move, or cry out. A flag flies from mizzen_top: a jolly roger. Elizabeth looks from it to the medallion _ the skull on the flag is the same as the one on the medallion.

Fog closes in on the bl
ack ship _ except for the flag. As Elizabeth watches, the skull seems to turn and grin at her _

Elizabeth shuts her eyes tight _

# Gepost op woensdag 07 december 2005, 12u41

Gewijzigd op vrijdag 22 juni 2007, 13u23

3 INT. GOVERNOR'S MANSION _ ELIZABETH'S BEDROOM

3 INT. GOVERNOR'S MANSION _ ELIZABETH'S BEDROOM
3 INT. GOVERNOR'S MANSION _ ELIZABETH'S BEDROOM

_
and then snap open again, wide with fear. But this is no longer twelve?year?old Elizabeth on the Dauntless; this is twenty year old Elizabeth, in bed in the dark

S
he looks as far out the corner of her eyes as possible. Might there be someone in the room with her? Elizabeth sits up, ready for anything. She is alone.

She turns up the flame on an oil lamp beside the canopied bed. Carries the lamp across to a dressing table.

PUlls a drawer all the way out, reaches into a space beneath and revos _ The medallion. It has not lost its luster_ or sense of menace. She stares, absently returns the drawer to its place. A booming knock on the door; Elizabeth jumps, startled, knocking over her chair.

SWANN (O.S.)
El
izabeth? Is everything all right? Are you decent?

ELIZABETH
Yes
_ yes.

She puts on the medallion, throws a dressing gown on as Swann enters, carrying boxes. A uniformed maid, Estrella, follows.

SWANN
Still abed at this hour? It's a beautiful day!

Est
rella pulls back the heavy curtains, revealing: beneath a blue sky lies the bucolic town of Port Royal. Fort Charles sits on a bluff at the mouth of the harbor.

SWANN (CONT'D)
I
have a gift for you.

He opens the boxes, displays a gorgeous dress.

ELIZABETH
It's _beautiful. May I inquire as to the occasion?

SW
ANN

I
s an occasion necessary for a father to dote upon his daughter with gifts?

E
lizabeth takes it, goes behind a screened?off dressing area.

SWANN (CONT'D)
Although ... I did think you could wear it to the ceremony today

ELIZABETH (O.S.)
Ce
remony?

SWANN
Captain Norrington's promotion ceremony.

ELIZABETH
peeks around the screen
I knew it.

SWANN
O
r, rather, Commodore Norrington ... a fine gentleman, don't you think?
(no answer)
He
fancies you, you know.
(a gasp from the screen)
El
izabeth? How's it coming?

On Elizabeth as she holds her hair out of the way. Estrella ?- a foot in Elizabeth's back _ cinches the corset laces tight.

EL
IZABETH

Difficult ... to say.

SWANN (O.S.)
I'
m told that dress is the very latest fashion in London.

ELIZABETH.
(
holding her breath)
W
omen in London must have learned to not breathe.

Estrella is finished. Elizabeth takes a breath _ and winces. A butler appears in the doorway of the room.

BUTLER
Gov
ernor? A caller is here for you.

# Gepost op vrijdag 09 december 2005, 16u07

Gewijzigd op vrijdag 22 juni 2007, 13u18

4 INT. GOVERNOR'S MANSION _ FOYER _ DAY

4 INT. GOVERNOR'S MANSION _ FOYER _ DAY
4 INT. GOVERNOR'S MANSION _ FOYER _ DAY

T
he caller, dressed in rough clothing, is very out of place, and knows it. He holds a presentation case. He polishes the toes of his boots on the back of his calves; it doesn't help.

SWANN
Ah, Mr.
Turner! It's good to see you again!

The
caller turns _ it is Will Turner. Handsome, with a watchful demeanor that gives him a weight beyond his years.

WILL
Good
day, sir. I have your order.

Wi
ll holds out the case, opens it. Inside is a beautiful dress sword and scabbard. Swann takes it out reverently.

WILL (CONT'D)
The
blade is folded steel. That's gold filigree laid into the handle. If I may _

He
takes the sword from Swann, balances it on one finger at the point where the blade meets the guard.

WILL (CONT'D)
Perfect
ly balanced. The tang is nearly the full width of the blade.

SWANN
Impr
essive ... very impressive. Commodore Norrington will be pleased, I'm sure. Do pass my compliments on to your master.

Will
's face falls. Clearly, the work is his, and he's proud of it. With practiced ease, he flips the sword, catches it by the hilt, returns it to the case. He bows slightly.

WILL
I sha
ll. A craftsman is always pleased to hear his work is appreciated _

He st
ops speaking abruptly, staring past Swann _

Eliz
abeth stands on the stairs. Granted, the dress may be painful to wear, but holy smokes!

SWANN
Eli
zabeth! You look stunning!

Will
tries to speak _ gives up, smiles to himself, and nods.

ELIZABETH
Will!
It's so good to see you!
(her han
d goes to the hidden medallion)
I
dreamt about you last night..

WILL
Abo
ut me?

SWANN
El
izabeth, this is hardly appropriate --

ELIZABETH
About t
he day we met. Do you remember?

WILL
Ho
w could I forget, Miss Swann?

ELIZABETH
Will, ho
w many times must I ask you to call me 'Elizabeth'?

WILL
At leas
t once more, Miss Swann. As always.

SWANN
Well
said! There's a boy who understands propriety. Now, we must be going.

Swa
rm takes the case from Will, opens the door. Elizabeth straightens her back, gathers her skirts, strides past Will.

ELIZABETH
Good
day, Mr. Turner.

# Gepost op zaterdag 10 december 2005, 01u08

5 EXT. GOVERNOR'S MANSION _ DAY

5 EXT. GOVERNOR'S MANSION _ DAY
5 EXT. GOVERNOR'S MANSION _ DAY

Swann follows Elizabeth out the door, toward a carriage.

WILL
Good day.
(to himself)
E
lizabeth.

In the carriage: Swarm glowers at his daughter.

SWANN
Dear, I do hope you demonstrate a bit more decorum in front of Commodore Norrington. After all, it is only through his efforts that Port Royal has become at all civilized.

# Gepost op zaterdag 10 december 2005, 01u21